Saturday, May 26, 2012

'Tatam'bary (Harvesting Rice)

Jeammot hews a traditional guitar out of a log.
Written May 24, 2012
Fort Dauphin

    John Reddy, the Peace Corps Madagascar Country Director, stopped by last week on his tour of the south.  He arrived in a Peace Corps 4x4 with his wife Portia, both of them worn out from traversing the sand tracks to the west.  Until you get to Ambovombe, there are no roads worthy of that description.
    You know what Madagascar needs?  Madagascar needs to get invaded by the Romans.  Just drop four or five legions and a sizable engineer corps into the countryside around Fort Dauphin and see what happens.  By the time the dust cleared, WE’D HAVE SOME DECENT ROADS.  Y’all government officials are mataotsy about neo-colonialism?  How about retro-colonialism, does that work for you?
    Ugh, do not get me talking about the roads here.
    The Reddys and I had a nice talk out on my porch.  I told John about the troubles I’d had the week before, even my thoughts about Early Terminating.  He sympathized; he was every bit as warm and understanding as you’d expect, but there was a hint of steel underneath his words.
    So you had four bad days in a row.  That’s really very ordinary for Peace Corps.  Keep it together, man, and save the melodrama for your Third Goal presentations.
    And he’s absolutely right.

    The next day, I was buying bananas on the road when Clotilde, an orange seller, called me over.  I didn’t get all of what she said, but I knew she was asking me to assist with harvesting some rice.  And I thought, why not?  We agreed I’d meet her on Wednesday morning.
    On Tuesday I bought a sickle in the market.  The sickles here are smaller than Western ones.  They’re also serrated, the better to rip through rice stalks quickly.  During my internship with Club du Vieux Manoir in Briançon, France, we used sickles to clear the grass from the courtyards in the mountain forts.  The rough-cut lawns lent authenticity to the forts’ eighteenth-century atmosphere. 
    Learning how to use a sickle in the first place is the hardest part of wielding one, so I was really thankful for that previous experience.  In the movies you always seem to see workers swinging their sickles like machetes-- you do that, you’re liable to lose fingers.  It’s actually a very controlled motion of gripping the plants with your left hand, then pulling the sickle towards your body with your right, with just enough force to cut through the stems.  And even then it takes practice.  I would have sliced up my left hand pretty good if I hadn’t been wearing gloves.
    I met Clotilde at her stall and she took me to her brother Desiré’s house.  He was the farmer Clotilde had been talking about; even though we hadn’t spoken before, it seemed like he’d been waiting for an opportunity to introduce himself to me.
    “Do you already know how to cut rice?” he inquired as we headed down the road to the rice paddy.  Everyone else who’d seen me walking with a sickle had just assumed I wouldn’t.
    “I’ve cut grass with one before,” I said.
    “That’s good.  It should be the same,” he replied pacifically.
    We joined Dez’s three brothers and his nephew, already making inroads on the field.  I had been expecting the rice to either be planted in the traditional way, thickly in calf-deep water, or the modern way in rows in shallow mud.    Dez’s field was in between the two systems, with the plants rooted in inch-deep mud, but also placed closer together than those in an industrial paddy.  The workers cut paths through the greenery without a specific pattern in mind, like moles in topsoil.  Dez walked ahead of them, stopping every twenty feet or so to consecrate the rice with a dribble of toaka gasy.  I placed my sandals with theirs and set to work.
    The sickles made a ripping sound just like the cows do when they graze.  I squatted in the mud to reach all the rice in a certain radius, then straightened up and moved.  The sun blazed, but cool breezes comforted us.  Taxi brousses passed by on the road; sometimes the passengers were hushed with disbelief at the sight of a vazaha harvesting rice.  Other times they howled in mock outrage to see me stand tall and raise my sickle in salute.
    Gasior quae gasiae, as the Romans would say.
    Four hours later, we looked around with relief at the finished field.  Sheaves of rice lay piled like soldiers after some Great War slaughter.  My back ached, but it was little compared to the pain in my lower body.  I felt like I’d just wrestled a grizzly using only my legs.  Evidently rice-cutting is a lower body workout like no other.  I was pleased to see that I wasn’t any more worn out than the other workers.  Wasn’t even sunburned.
    We washed the mud off in a drainage pool and adjourned to Dez’s house for lunch.  He must be a pretty prosperous farmer, because he served soup with beef in it; most farmers can only get meat on feast days.  The toaka gasy came out again and within minutes-- the moonshine is near on 200 proof-- they were all thoroughly in their cups.  I politely told them that strong liquor is taboo for me.  And it’s true: I forbid myself from drinking toaka gasy as a matter of logic.  That stuff is Evil in liquid form.
    As I left Dez plied me with oranges and bananas and lavish praise.  He even promised me a basketful of the rice, once it’s threshed.  He’s harvesting another field next week, and insh’Allah I’ll be out there with him.  Only next time, I will bring my camera!

Wednesday, May 16, 2012

The Bad Week: The Aftermath

Written May 16, 2012
Fort Dauphin

    Well, this country never ceases to amaze.
    First of all, I got over my fever, thanks to the antibiotics.  I feel fine now.  All hail the great god Cipros!
    On Sunday, I heard more taunts coming from the gambling ring.  I calmly walked right into their midst and said, “If you want to talk to me like men, you’ll talk to my face.”  That seemed to get their attention.
    I talked with Dr. Jean-Claude about the Médecin-Inspecteur’s demands.
    “He only wants results on paper that he can send back to Tana,” the doctor assured me.  “He doesn’t really know what’s going on in the villages...  I’m satisfied with your work, you don’t have to worry.”
    I made new plans for a project in the future.  I don’t want to reveal the details yet, but if it happens it’ll be a creative project.  I may not know much about medicine, but I know how to get things on camera.
    My backpack was insured, and my parents should be getting another one for me.  It should get here on June 16th, when my lovely girlfriend arrives.  And even if circumstances were different, I could just buy a large backpack in the market here and make do.
    And on Monday some of the gamblers called me over to talk with them, just like I had asked that they do.  Only a few of the most immature ones called me vazaha, quietly, sneaking around the edges of the group like hyenas.  The others seemed genuinely interested in me, even contrite that they’d mocked me earlier.  I talked with them for a good hour, and we got on pretty good terms.  Could it be that the May Ninth debacle was really blessing in disguise?
    This country is strange.  My service here is one third over.  Should be a lot more strangeness to come.

The Bad Week

My house, with Jacquino and Faniry left and right.  Their friend Toky is in the middle.
Pascaline sifts rice on the upstairs porch.

A fisherman's catch in St. Luce.
Geese meander along the beach.
Sam puts up her mosquito net with Jouvenal, a passing Azafady worker.

Mary reposes in Sam's Mexican hammock.

A girl holds a freshly caught stingray.

The road from St. Luce back to Mahatalaky.
Written May 15, 2012
Fort Dauphin

    Last week was the week things almost fell apart completely.  Last week I almost gave up.  Last week I almost went home.
   
Monday

The morning of the seventh was tranquil and sunny, with a soothing breeze off the ocean.  I had offered to help out the pair of new Volunteers who had just arrived in the south.  I broussed into the city, played some Age of Mythology at Israel’s house, and then walked to the Fort Dauphin hospital.  I planned to meet with the directors of SanteNet, a UN-backed Malagasy organization devoted to fighting malaria, about restocking the mosquito nets for the CSB in Manambaro.  Neither of the doctors were there, but the assistant who was suggested I talk to the Médecin-Inspecteur about the nets.
    The Médecin-Inspecteur is the regional head of medical affairs.  The one whom I met when I arrived in Manambaro was a slight, bespectacled man with a nervous laugh, who spoke remarkably smooth English.  We only talked for ten minutes, but I liked him immediately.  So I was confused when the man in the head office turned out to be stocky and raucous-voiced, more basketball coach than professor.
    He greeted me, explained that he was the new man for the position, and invited me to sit down.
    “Éric,” he said genially.  “I’ve heard about you.  You’re not doing your job.”
    And with that he launched into a demeaning, patronizing lecture about how I’m always absent from the CSB, I don’t file reports the way I’m supposed to, I only focus on malaria instead of a range of issues, and generally how I’m utterly failing in my duties as a Peace Corps Volunteer.
    I was stunned.  No one, absolutely no one, from Peace Corps or from Manambaro, had given me any reason to feel less than proud of my work, and I told him so.
    “This is the first time anyone has said any of these things to me.  You have no right to be angry with me.”
    He smiled, pleased to have gotten a reaction out of me.
    And the mosquito nets?
    “The next distribution’s in November,” the Médecin-Inspecteur said gloatingly.  “There won’t be any new nets in this region until then.”
    I left the hospital with a feeling of frustration like few I’ve ever experienced before.
    I walked down the hill to the hardware store where Monica was waiting with the new Volunteers, Samantha and Mary, and Franka, one of the Peace Corps language teachers.  I put aside my anger and helped them get towels, cooking wares, mattresses, mirrors, washtubs, everything you need to live this life that we’ve chosen.  It took the rest of the day for them to complete the trial by fire that each new Volunteer has to go through, going back and forth between stores, haggling with conniving merchants in the wrong dialect, always unsure if they’ve remembered everything.
   
Tuesday

    I met them bright and early in the Tanambao marketplace.  Franka had hired a 4x4 and driver to take us to Saint Luce, Sam’s site.  I put my hiking backpack in the back of the car, on top of a large cardboard box, closed the trunk, and squeezed into the back with the girls.  I kept my camera in my lap to shoot out the window on the way. 
    When we got to Mahatalaky, we opened the trunk.  No backpack.  We searched around the box in case it had fallen.  No backpack.  Monica, Sam, and Franka went into the mayor’s office to make the necessary courtesy visit, while Mary and I stayed with the car.
    I was dismayed and fuming with anger at whatever thief had reached into the trunk, and at myself for not closing the trunk properly.  Fort Dauphin, even its market, is usually a dozen times safer than any street in Tana.
    “You know, I got that backpack during my semester in Paris,” I growled to Mary.  “I thought I’d have it for the next twenty years.”  Great support system for hiking, peerless German workmanship, handles to carry it all different ways, even a sleeve for my laptop, which, thankfully, was sitting safe back at Israel’s.
    I called Johanesa, the Peace Corps head of security, to report the theft.  He agreed with me that there was nothing to be done.
    So we continued on to St. Luce.  The road from Fort Dauphin to Mahatalaky is bad, pitted in places, flooded in others.  Typical, that is, of roads in the south, far from the benevolent graces of the island’s Capitol.  But the road from Mahatalaky to St. Luce is quite another matter: the only road is a track, parallel lines in the dune grass from the tires of 4x4s.  It fords a dozen streams and marshes.  The trip takes an hour, and if the dune country weren’t so serene, with the mountains in the background and the smell of the sea, I would hate it.
    The village of St. Luce is scattered into a few separate neighborhoods.  We stopped at one, to introduce Sam to the town officials, then moved on to hers.  It was within sight of the water, with plenty of palm trees.  The houses were piled close together, giving a cozy feel.  Sam’s own house had four rooms and a fully fenced yard, luxurious by Peace Corps and Malagasy standards.  Now that I think of it, it may have been the house that all those kids in Mahatalaky were drawing...
    Sam’s going to love it, and I’ve no doubt the villagers are going to love her.  As beautiful as her site is, she might as well have scored a place in Peace Corps South Pacific.

Wednesday

    The first thing to do was to file a police report about my backpack.  Franka and Mary had to leave, because they were on a tight schedule.  It takes five hours to get to Ambovombe.
    No matter.  I wrote out the report in French (Knew that degree was good for something!) before I went to the station to save time.  As I entered, I couldn’t help noticing that the codes of uniform for police were somewhat lax by American standards.  Some of the men were in tracksuits.  On the other hand, a tracksuit is perfectly acceptable semi-casual office wear in Madagascar.
    It was when a guy in a red tracksuit showed me into his office that I noticed the sword-and-rice-stalks police emblem on his chest.  So the tracksuit was his uniform!  He was a secretary, not a beat cop, but still, I should really stop being surprised by things like this.
    I walked out with a full police report, no problem.  Caught a brousse back to Manambaro, and I was ready to put my troubles behind me.
    That afternoon, as I was coming back from the market, I heard someone behind me shout “Vazaha!” in a very insulting tone.  I don’t mind if people call me that when they’re talking about me, but if someone addresses me as vazaha, it’s a little irksome.  Usually I’ll tell them it’s bad manners, that I have a name.  Someone using the word as an insult really gets under my skin, because it’s like they’re challenging my right to be in this country at all on the basis of my race.
    I turned and saw two kids, both about 14.  I asked them, “Did either of you call me vazaha?”
    They stared at the ground, sniggering a little.  “No,” they replied.
    But one’s voice was a dead match with the shout I’d heard.  I started yelling at him, screaming, really.  The shout had annoyed me enough, but to have the two boys lie to my face made me even angrier.  I wasn’t in a blind rage or anything, I still knew exactly what I was doing, but anger was holding back the reasons why I shouldn’t be doing it.
    I asked him again if he’d spoken.  He said nothing, thereby confirming his guilt.  I demanded that he apologize.  He did so, unconvincingly; I turned away.
    Then I noticed that we had attracted attention.  A few dozen people were watching from their houses and storefronts, watching to see if the evil foreigner was going to beat the stuffing out of an innocent youth.  Foremost among these were thirty or so men at a gambling ring just across the street.  Bored, half-drunk, and now I’d piqued their bloodlust.
    As I turned home I heard several men shout behind me, “Vazaha!”  Then more, “Vazaha!”  Then a crescendo: “VAZAHA!”  Trying to provoke me to fight.  Nothing to do but ignore it, keep walking.
    I shut my door and sat there in the dim light from the gaps in my windows, wondering, Did I just ruin everything?  Did I just alienate a huge percentage of the town?  Did I mark myself as a foreigner forever?
    Should I go home?

Thursday

    This is why early man invented damage control.  Had to’ve been one of the early civs, right?  A Pharaoh throws a statuette at the Babylonian ambassador, what do the viziers do?  Damage control.
    I called Tovo, my boss at Peace Corps, to find out what I should do.  He assured me that the situation wasn’t that serious: all I can do for now is keep my temper and focus on rebuilding a good reputation.  So I ignore the packs of town urchins who think it’s a game to call me vazaha behind my back and then run away.  I ignore the shouts from the gambling ring; it’s just a diversion for them now, they don’t really want to fight at all.  And I also ignore the women in that neighborhood who have now decided to taunt me by asking for money.
    I took the afternoon off to walk around in the fields with Fafa and Rodin.
    I was cooking dinner when I started to feel a chill.  That’s odd, it’s not that cold.  But the chills increased.  My temperature tested normal, but I definitely felt feverish.  I noticed a sore on my left ankle was hurting, and had gotten larger than when I’d last checked it.  By the time I finished dinner and crawled into bed, I was shivering uncontrollably.

Friday & Saturday

    My temperature climbed to 101.8.  I called Dr. Chad at Peace Corps, and he narrowed the causes down to malaria or the infection on my ankle.  A quick CSB malaria test was negative, so he started me on antibiotics for the infection.
    I laid in bed for two days, recovering.
    But I reached a decision: I’m not going home.  Madagascar doesn’t get rid of me that easily.

Friday, May 4, 2012

The Wall, the Wind, and the Play

Guava season is winding down, unfortunately.  Without strawberries, guavas are the next best thing.
We put some of the kids to work shaking the paint cans in place of a mechanized shaker.

Painting the borders around the pictures on the mural.
The kids with their dream banners.
One of the Pioneers playing a mosquito.
Monica's hands after we finished the mural.
The mandarin oranges in Mahatalaky are like candy.
Written May 2, 2012
Manambaro

    “It’s like it has a mind of its own,” Monica groused.
    “Yeah, it’s like the evil sentient water from that one episode of Doctor Who,” I remarked.
    The blue paint was turning out to be a lot less well-behaved than the other colors.  Already it’d spilled twice, marring the steps of the pristine CEG (middle school).
    It was early afternoon on Tuesday the 24th, and we were despairing of ever finishing the mural that Monica had begun for World Malaria Day.
    Monica lives in Mahatalaky, a small but significant town north of Fort Dauphin.  ONG Azafady, a British NGO, has an outpost there for its short-term volunteers, called Pioneers.  The Pioneers had recently finished building a new CEG to replace the village’s dilapidated one.  Monica got permission to paint a mural to teach the students about malaria, days before the ribbon-cutting ceremony.
    The mural is divided into quadrants, with a circle in the middle.  The outer sections show mosquitoes coming out at night and biting villagers, notably a prideful man who has a mosquito net but doesn’t use it.  The bugs also bite a baby.  The mother takes the limp baby to the local clinic and gets medicine, but since she still neglects the net her baby falls ill again.  In the middle circle a family sleeps soundly under their mosquito net.  They have also closed their windows and lit a mosquito coil, which burns like incense to drive away mosquitoes with its scent.
    It’d taken all day of the 23rd for Monica to grid the wall in pencil to transfer the image.  The angle of the white wall to the sun made it reflect blindingly for much of the day.  By the time I got there at about 4, Monica was quite sunburned, but still resolute.
    “We’ll get it finished tomorrow,” she declared.
    That night we used her electricity to watch The Hunger Games on her laptop.  Great movie, although the producers should’ve said to hell with the young adult audience and taken it to an R rating.  ¡Mas sangre, siempre mas sangre!  Ah well, if I want gore, that’s what HBO is for.  You can definitely tell the movie was filmed in North Carolina; the woods in the arena look exactly like those on Guilford College campus.
    We started early the next morning, with help from some students who had the day off from school.  We made good progress, but after lunch a windstorm kicked up.  The pieces of cardboard we’d been using as palettes flew everywhere, and that was when the blue paint tipped over.
    We carried on painting as best we could.  We held onto the belief that at some point the Azafady Pioneers would show up like Monica said they’d promised.  Finally they arrived, all 19 of them, mostly British, but also two Canadians, a girl from Maine, and four Germans, who spoke English so fluently I just assumed they were English.  Half of them grabbed brushes and started painting with a will, while the other half discussed the finishing touches on their play.
    The play, just like the mural, was to educate the village kids on malaria.  A Mahatalaky couple, played by two of the Volunteers who are actually married, sleeps under a mosquito net but leaves their baby, played by the American, outside the net.  Swarms of mosquitoes, the other Pioneers wearing paper cones on their noses, buzz around menacingly and poke the baby to show they’re giving her malaria.  The next morning the parents wake up and find that their baby now has a high fever.  The father mixes some herbal medicine, which doesn’t work.  Then they go to an ombiasa, a witch-doctor, who chants a spell.  The ombiasa takes the family’s only chicken as payment.  The spell doesn’t work.  Then Monica, played by Monica, shows up and tells the parents to take their baby to the CSB immediately.  They get medicine and the baby is saved.  The next night the couple brings the baby under the net with them and everyone is healthy and happy.
    Judging by the audience’s reactions, the play was a big success.  The kids giggled when the parents first lay down and snuggled with each other as a Western couple would; snuggling is a relatively new concept for rural Malagasy.  I chuckled when Lloyd, who looks like no one less than Harry Potter, came out in his ombiasa costume.  He really got into the role, too, hobbling around and glaring at the kids like a cranky old man.
    After the play Monica led the kids in making “dream banners,” pictures of what they want to be when they grow up.  Cultural differences were very much in evidence here: give an American kid a crayon and paper and they’ll start scribbling away.  But Gasy kids wait to be told what to be told what to draw.  They eye the paper with a touch of incredulity and fright, as if it’s a set mousetrap into which you’ve told them to stick their fingers.
    When we cajoled them into drawing, reassuring them that it was all just for fun, they came up with a relatively wide array of ideas.   Teachers, drivers, builders, fishermen, soldiers.  No athletes, astronauts, or race-car drivers, but then this is a village that only got electricity a few years ago.  A good portion said they wanted to be doctors, nurses, or midwives, because that’s what they thought we wanted to hear.
    And here’s where things got strange for us.  Only a few of them drew themselves as a teacher, a doctor, etc.  The rest drew a picture of a house.  Single story, four windows, a palm tree on either side.  As far as we could tell, it was the same house, over and over, Twilight Zone-esque.  But I guess it was just the kids equating success in life with having a nice house; not having seen very many nice houses, they all gravitated towards one they’d all seen.
    That night Monica and I watched the first episode of the second season of Downton Abbey.  It was a step up from Season One, if only because of the Great War battle scenes.  Ah, PBS, I see you’re taking hints from HBO.  Good show, lads, keep it up.
    Next day, the 25th, World Malaria Day, we buckled down and finished the mural.  The day was cloudy, so we didn’t have to struggle against blindness.  The end result wasn’t perfect, but neither Monica nor I have much experience painting.  It was just good to be done.
    And this was only my first World Malaria Day.  I wonder what next year’s will be like.